Note: Toshiro Ono is a freelance nonfiction writer who writes mostly about the mafia and crime. Below is a translation of his blog entry that details actions taken by both sides of the CJeS and Avex lawsuit, as well as his thoughts on the reasoning behind those actions.
Signs of Progress
The below is from records of the trial
between C-JeS Entertainment and Avex Management at Tokyo District Court.
(Trial Material for Civil Section 29. 2011(ワ)No.17612, Plaintiff :
C-JeS Entertainment, Defendant : Avex Management Document prepared by
C-JeS Entertainment on Oct. 19, 2011)
The “attorney for the plaintiff” mentioned here means the attorney representing C-JeS in the trial at the Tokyo District Court.
“On Sept. 22, 2011 the attorney for the
plaintiff [T/N: attorney for C-JeS in Japan] received a call from
Attorney Jihye Shin who is representing JYJ in Korea saying “We received
a request from SM for reconciliation for both the trial in Korea and
Japan. However we find it difficult to understand their true motive in
making this request.”
Recently in
the lawsuit in Korea concerning the validity of the exclusive long term
contract between management companies and artists, the Supreme Court
ruled that long term contracts between management companies and artists
are invalid, signifying there is a high chance that the Korean court
will rule in JYJ’s favor in the lawsuit between SM and JYJ. It can be
presumed that SM, because of this turn of events, decided that it would
be better to resolve the lawsuits in both Korea and Japan at once by
reconciliation. Also, the request made by SM to Attorney Shin assumes
that the defendant [T/N: Avex Management] will follow SM’s instructions.
Therefore it is easy to presume that the defendant is obstructing the
management of JYJ in Japan out of concern for the wishes of SM.”
[rest omitted]
Source: Toshiro Ono’s Blog
Translation by: TheJYJFiles
Please do not add, alter, or remove the credits.
Translation by: TheJYJFiles
Please do not add, alter, or remove the credits.
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